Monday, 27 August 2012

Kristen Gallerneaux Brooks ---- The Gizmo and The Glitch: Telepathy, Ocular Philosophy, and other Extensions of Sensation


NEW TEXTUAL OVERVIEW:

 

The Gizmo and The Glitch:

Telepathy, Ocular Philosophy, and other Extensions of Sensation

 

Kristen Gallerneaux Brooks

 

 

This chapter will investigate the byproducts and doctrines of paranormal culture, as it is conflated with technology and its connective sensory tissues, in both analog and digital forms. Perspectives from material culture and folklore studies, parapsychology, critical art theory, and other forms of inquiry will be directed towards discussions of the ocular philosophies scattered throughout the history of paranormal research, specifically those areas most concerned with non-normative sensation. The first half relates to “analog” instances connected to non-retinal and telepathic vision, with discussions in the second half focusing on aspects of the “digital,” especially spectral matters narrated by the Google Street View feature.

 

My own position in this dialogue is not to validate or deny the authenticity of the cases presented within, but is rooted in the opinion that the visual and material facets of paranormal culture are overlooked artifacts that have the ability to act as active entities that encourage the development of narrative, and as catalysts for debate concerning the rhetoric of truth. All of this is inspired by, yet occurs outside of, the pictorial frame. This relates to the concept of visual legends and visual memorates, terms I use to describe processes of narrative, supported through the use of the invisible attributes of tangible artifacts as opposed to oral histories. How fitting a topic then, considering that psychical research has often placed an emphasis on the visual in tandem with narrative. These byproducts of psi research exist in the form of documentation and devices of the research environment and its experiments, taking form in drawings, photographs, and films. I hope to show that the aesthetic and philosophical considerations of the metaphorical and metaphysical thresholds present in paranormal culture have the potential to uncover intersections of belief, science, and modes of human creativity that can create new forms of shared experience, visual, spiritual, and otherwise.

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