Immersed
in Illusion, Haunted by History: Marisa Carnesky’s Ghost Train
Josephine Machon
Abstract
Figure 1: Marisa Carnesky’s Ghost Train Blackpool Winter Gardens, Pleasure Beach Promenade, UK, 2011. Image copyright courtesy of Marisa Carnesky. |
In this chapter I discuss how Marisa Carnesky’s Ghost
Train (2004, 2008-), an immersive and truly ‘sensational’ populist
performance event, accentuates the spectral potential of such rides and plays
with the multifarious possibilities of ‘haunting the imagination’ that the form
offers when employed as an artistic intervention. I will consider specifically
how she exploits the unheimlich (literally, ‘unhomely’; uncanny or
eerie) aspect of illusion, the visceral impact of fairground rides and the
affective possibilities of ‘the haunted house’, to instil an immediate, live
and ‘lived’ – thus ‘live(d)’ - response in the audience-participants;
specifically to the historical, the mythologised, the political and the
personal narratives of displaced and sex-trafficked women from recent history.
The discussion draws on (syn)aesthetic analysis
(Machon, 2009, 2011), a recent manifesto for ‘New Magic as Contemporary Art’, (various,
Straada, 2010) and Jacques Derrida’s
ideas around ‘hauntology’ (2006), to illustrate how Carnesky’s idiosyncratic
fusion of disciplines across theatre, cabaret, film and fairground, extends
forms of representation and invites the audience to experience the
historical ‘identities’ of silenced, migrant women across the 20th
and 21st centuries by using aspects of illusion as ghostly
apparition, to sensual and metaphorical ends; gendered historiographies that
are felt as much as intellectually
understood. Carnesky’s
Ghost Train takes a journey through the uncanny time-place
continuum of the historical, the imaginative, the architectural and the
durational to establish a paranormal artistic activity that makes manifest
these ‘lost’ lives.
Figure 2: Marisa Carnesky. Publicity image for Marisa Carnesky’s Ghost Train, 2008. Photo Credit Marcus Ahmad. Image copyright courtesy Marisa Carnesky. |
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